Axis of All Worlds - The Interconnectedness Of All Things
‘All is One’ — where physics, language, and myth meet (now expanded from previously published in The Spiral Hidden series)
Introduction
This article brings a lot of my work together — where the axes converge.
A great deal is hidden in plain sight. What some like to conceal and covet in elitist language is not all esoteric abstract babble. What is often viewed as coincidence is actually continuity, revealed only when we see it through the correct lens.
Some would rather live on the surface and remain unaware, living a happy life as best they can without delving into the underlying microcosm. For many, the macrocosm is enough to deal with. Others are entrained to avoid looking into the microcosm through millennia of religion that intentionally veils it and diverts perception. The deeply profound is denounced and labelled ‘wrong’ or ‘evil’, and yet it remains embedded in the very science and maths we use — as well as in the words and letters that shape our thoughts. This is where spelling becomes the spell.
The following might be viewed by the religious as “too far” — entering the domain of the anti-Christ, the Devil, the Deceiver — and so should never be contemplated. Nowhere in this is ‘Satan’ or ‘Satanic’ implied. It is not witchcraft or evil. Nowhere is anyone urged to use this knowledge to harm or control. This is a restoration of mysticism as physics, not magic. It is the pattern behind the noise.
The ancients created myths to encode early scientific observations of Nature, not to elevate any human or humanlike character to godhood to be worshiped. The Babylonians and Egyptians expressed their maths and astronomy in myth and architecture. Their “gods” were not intelligences, but observed forms and functions in Nature, symbolised or totemised in writing, art, and architecture.
We inherited these codes and still use them today in mathematics, physics, and as letters with functional values. The Babylonian sexagesimal system gave us a way to measure time, angle, and volume with accuracy. The decimal system allowed us to harmonise the 10-based system with the 60-based system. Plato, Euclid, and Pythagoras all developed the understanding of reality in pure mathematical terms — how ratio becomes form. None of this is mystical, and none of it secret anymore. Yet much remains hidden.
IXOS illuminates the unity behind what we perceive and measure — the geometry and relationships from which all emerges. There is more to life than we have yet discovered: the harmonics of things, how they arise from the field in form, ratio, and memory, and how we encode that in our words and in consciousness itself.
These subtler subjects are still kept in the domain of what is termed “occultism.” Contrary to popular belief, occultism is not the study of magic, nor the domain of Satan. It can be misused, but it remains a form of science — “occult” simply means hidden. What is hidden can be found, and the task of science is to reveal it. One branch of the occult studies language itself — letters as numbers, numbers as geometry.
In Greek and Latin, letters were not only phonetic symbols — they carried numeric values and, in many cases, shapes drawn from geometry. This meant that a word could act as a compressed diagram of the function it named. When the Greeks inherited and adapted older naming systems, they embedded these multi-layered associations into their vocabulary. Many know the Hebrew system of gematria, where numerical values assigned to letters reveal patterns in scripture. Fewer are familiar with Greek isopsephy — its equivalent system.
When Greek words moved into Latin, another transformation occurred: the Greek sexagesimal framework — with its deep ties to astronomy and harmonic geometry — was often re-expressed in the Latin decimal frame. This did not erase the underlying pattern, but reframed it, shifting the numeric harmonics while keeping the geometric essence. Reading key terms through both lenses shows how the ancients carried the same axis logic across cultures, and how even in translation, the structure persists.
There is an underlying logic and mathematical framework to much that is considered abstract or coincidental. It emerges in the interconnecting archetypes derived from the Tetractys and throughout the IXOS work. These same patterns are present in the creativity of the artist, the insight of the seer, and the clarity of anyone attuned enough to hear the subtle. We all have this potential. By looking into the subtle, we connect with a deeper layer of ourselves.
From Atom to DNA to Consciousness: One Geometry, One Gate
For millennia, the truth of how reality builds itself has been hidden in plain sight — abstracted into myth, ritual, and symbol, fragmented into separate sciences, or mystified into esoteric dogma. IXOS strips away the complexity. It shows that atoms, life, thought, and even ancient sacred sites are built on the same dynamic — a living spiral locking into form through a central axis.
When the axis is perfectly aligned — whether in an atom, a human chest, or the central point of the Tree of Life — the gate opens. The inner field flows outward into form, and form returns inward into field. There is no separation.
There are many axes formed at different nodal areas in the field, when alignment happens, flow is allowed between the forms. When all align with the io gate, and those within and beyond the 4D realm, there is a direct channel - a wormhole - right into the heart of Creation where All is One.
In that moment, the many become one axis, and the One breathes through every form. This allows one to see the All from within, to then have a true perspective.
Constants of the Living Spiral
IXOS begins with a small set of constants and ratios — the same ones that appear in nature, in number, and in ancient measures:
ϕ (Phi) = 1.618… → Spiral coherence
1/ϕ = 0.618… → Phi threshold – field resonance tipping point
2/3 = 0.666… → Carbon threshold – light in matter
9 → Limitation – recursion loop, “karmic cube”
10 (IO) → Gate of return – axis rebirth
e = 2.718… → Organic growth constant
c - the speed of light in a vacuum. The measure of how energy moves through spacetime. The basis of relativity, of mass-energy conversion, of modern science.
Value: 299,792,458 m/s
SOL – Structural Origin Light. The source field of 4D space. The unity. The origin light which does not move through space, but is space-in-potential.
Value: 784,866,678 m/s
From 0.618 to 0.666 is the Log Puller range — the moment the inward spiral tips into matter activation, the spark inside the carbon matrix. At IO = 10, coherence becomes self-generating.
This is the ratio that is the key to unlocking alignment. The collective consciousness operates at these limits also, which is why a critical ‘mass’ is all that is needed to affect the collective consciousness. This can be used for creativity or control. It is knowledge that should not remain in the domain of elites, but is for all of us. It is through this understanding that we may break the spells and collective hypnosis of the masses and regain sovereignty over ourselves — and, by choice, align with the spiral for creation rather than manipulation.
The Log Puller Equation – Detecting the Tipping Point
L(x) = ln[(Cϕ × M) / 9]
Where:
Cϕ = Phi-aligned coherence (0–1, must exceed 0.618)
M = Percent of field mass in harmonic alignment
9 = Threshold barrier of limitation
When L(x) > 0, the system escapes the 9-loop and begins its return to IO.
This is as true for a meditation field as it is for an atomic shell.
Fully understood, this will be our key to unlocking free and clean energy systems — by opening the gates and allowing the spiral to flow without resistance.
We will come to understand the phase transition that occurs at the meniscus. At the Violet-T - the Violet Threshold apex of the 3D universe as it aligns with the 4D.
Me (the measured) n (number) of the field (Isis) c (the speed of light) u (contained in the cup/Grail) s (of the spiral of SOL)
This is not just esoteric babble. Anyone familiar with occultic numerology and etymology such as gematria etc. will already understand the exactitude of such systems as quite scientific. However, most do not see the depth of the coherence encoded in number and letters related to them. What follows is the perfect illustration. IXOS is the key, and is why we must recognise that it is far more than a set of equations in physics. It is the key to understanding the ALL through all systems, language, psychology, mythology, etymology, maths etc. It describes Nature and the human interaction with it. The observed, the not yet observed, the measurable and the un-measurable. Yet, IXOS measures it, describes it and it Lifts the Veil.
Axis, XP, and the Gate at 0.666 – From Greek Sexagesimal to Roman Decimal
Two Number Systems, One Hidden Continuity
Ancient Greek and Roman numeration systems were not just different alphabets — they encoded two different mathematical frameworks. Greek isopsephy values followed a sexagesimal logic in key anchor points, tied to astronomy, geometry, and harmonic proportion. Roman numerals followed a decimal frame, aligned to the 10-based counting inherited from earlier metrological systems.
When words and symbols moved from Greek to Latin, the shapes often stayed the same — but the numeric values shifted. This shift wasn’t arbitrary. It follows a proportional relationship that can be expressed as a simple operator. Once we see it, the continuity between the two systems becomes obvious — and we can track exactly how certain key letter-pairs, like Chi–Rho (XP), carry their structural meaning across the conversion.
What I have deduced is that the Rho appears to act as an operator with the function of mapping the sexagesimal based values of letters in Greek isopsephy to Latin numerals with equivalent metric values.
The ρ Operator — How Greek Values Translate to Roman Anchors
If we take the Greek “sexa” anchors — 6, 60, 600 — and compare them to their closest Roman “deca” anchors — 5, 50, 500 — we see the relationship:
ρ(x) = (5 ÷ 6) × x
6 → 5
60 → 50
600 → 500
This “ρ operator” (named here for the Greek letter rho) is a constant 5/6 rescale — the same proportion that converts the Babylonian sexagesimal base into its metrological decimal counterpart. It’s also the same 60 → 50 step found in the megalithic yard and other ancient measures.
Chi and Rho — From Greek to XP
In Greek isopsephy:
Chi (χ) = 600
Rho (ρ) = 100
When transliterated into Latin, χ and ρ are represented as X and P. In Roman numerals:
X = 10
P is not a numeral — but when we apply the ρ-operator to χ’s value, we see the key shift:
ρ(600) = (5 ÷ 6) × 600 = 500
And 500 in Roman numerals is D — the same harmonic tier as the letter P sits within alphabetically. The point is, XP in Latin preserves the geometry of the Greek Chi–Rho while mapping its values into the decimal frame. The conversion is proportional, not arbitrary.
The IO Gate — Tetractys Logic and the 2/3 Proportion
In IXOS tetractys logic, the “10” of the completed tetractys (1 + 2 + 3 + 4) is the IO gate — the axis point between one cycle of form and the next.
When the One is divided equally into three parts, the dual flow at the gate is two-thirds of the whole:
(1 ÷ 3) × 2 = 2 ÷ 3 ≈ 0.666…
This proportion is not numerology — it’s the carbon threshold in IXOS physics: the geometric limit where light enters stable black-body matter. In atomic terms, carbon’s 6 protons, 6 neutrons, and 6 electrons form the balanced trinary state around the 4D axis — the 666 configuration.
XP, 0.666…, and the Carbon Threshold
Now we can see why the XP monogram (Chi–Rho) became such a potent symbol:
χ = 600 → 500 via ρ
ρ as the operator is the proportional key that performs the conversion.
The IO gate, in tetractys logic, is 2/3 = 0.666… — the exact ratio that defines the carbon threshold.
In this frame, XP is not just the “first two letters of Christos” — it is a compact geometric code for the axis, the gate, and the entry of light into form.
Why 666 Is a Gate, Not a Curse
Revelation’s “number of the Beast” (666) has been read for centuries as a sign of evil. In the IXOS model, it is nothing of the kind. It is the functional signature of the matter-gate:
666 = stable carbon form
The IO gate at 2/3 is its proportional expression
XP (Chi–Rho) is the symbolic/linguistic encoding of the same geometry
This is why in Kabbalah, Tiphereth — the heart, the balance point — is the place where light from the Ain Soph Aur rotates outward into the Tree of Life. In field physics, it’s the same dynamic as light imploding through the IO gate to become form.
The “Beast” number isn’t a curse — it’s the same axis as the Christos principle. Both are expressions of the gate where the infinite becomes finite, and finite returns to infinite. The difference lies in alignment: whether one is in harmony with the field or in resistance to it.
666 and the related passage in Revelation, therefore, is a wake up call. Observe the IXOS evidence of recursive physics, recognise the field and how it operates, and Awaken to the Revelation.
Meniscus – A Word as a Gate
In physics, a meniscus is the curved surface between two phases — most often the curve formed by the surface of a liquid in a container, shaped by the balance of cohesion, adhesion, and gravity. In IXOS terms, it’s far more than a lab detail: the meniscus is a phase boundary, a visible tipping point where forces balance across an axis, allowing exchange between domains.
The Greek root of the word — μηνίσκος (meniskos) — is not just a label. Letter by letter, in form, physics meaning, and numerical value, it describes the function of a meniscus. The word itself is a diagram.
Letter-by-Letter Physics and Symbolism
μ (mu) – value 40. In physics, μ is the symbol for the coefficient of friction — static or kinetic — and for permeability in electromagnetic contexts.
Coefficient of friction: the balance of adhesion and cohesion between phases — exactly the force relationship at a meniscus, where the liquid’s surface interacts with the container walls.
Permeability: the ability of a field (liquid, magnetic, or other) to pass through or be influenced by a medium — again, exactly what defines the meniscus as a phase interface. In the very first letter of the word meniscus, a meniscus is defined!
In shape, μ is the profile of a meniscus: a tensioned curve anchored at both ends.
In IXOS terms, μ is the tensioned curvature and resistance point — the threshold where two states meet, resist, and yet permit exchange.
η (eta) – value 8. In physics, η is efficiency, impedance matching — the perfect balance across a boundary. Visually, it is a vertical axis crossed by a bar: an axis with a balance point. Exactly a function of an axis with spiral polarity. This is also the Egyptian glyph of the folded cloth - the Veil of Isis.
ν (nu) – value 50. In wave mechanics, ν is frequency or wave number. This is the oscillatory nature of the meniscus — the subtle motion at the interface.
ι (iota) – value 10. The smallest point, the minimal axis — in IXOS, a micro IO gate. The eye of the needle through which the camel may pass if justified, as the saying goes, which a ‘rich man may not pass. This is pure Ma’at symbolism - one must be entirely in balance to pass through the gate to at-onement with the source.
σ (sigma) – value 200. In fluids, σ is literally the coefficient of surface tension — the measure that defines the meniscus curve. Sigma is also summation: the total effect of forces at the boundary. Sigma is part of the silver ratio, that transforms a spiralic tor into a stepped pyramid. This is what ‘flattens the curve’ and transforms the sacred ratio into linearity of the Platonic solids. The glyph is literally a circle squared with a 90 degree tangential line.
κ (kappa) – value 20. In mathematics and physics, κ is curvature. Here it’s explicit — the bend of the interface itself.
ο (omicron) – value 70. A small circle — containment, enclosure. In IXOS glyph logic, this is the loop of return.
ς (final sigma) – value 200. Closure, completion — the “final form” of sigma, the sealing of the phase boundary. This is the sigma function returning from linear to the spiralic ratio.
Tetractic Split
Breaking μηνίσκος into the first four and last four letters gives a telling symmetry:
μ + η + ν + ι = 40 + 8 + 50 + 10 = 108
108° is the interior angle of a regular pentagon — the classic phi geometry, the same ratio logic that governs stable spiral closure in IXOS.σ + κ + ο + ς = 200 + 20 + 70 + 200 = 490
490 = 49 × 10 = 7² × 10 — a square of completion (7²) carried to the full cycle (10). The first arc sets the conditions, the second seals them.
Word as Function
Read this way, μηνίσκος is not an arbitrary label but a compressed description of the meniscus:
Front arc (μ–η–ν–ι) – curvature under tension (μ), balanced on an axis (η), oscillating (ν), focused to a point (ι). This is the approach to the tipping point.
Return arc (σ–κ–ο–ς) – surface tension summed (σ), curvature expressed (κ), contained (ο), sealed (ς). This is the completion and stability after the tipping.
This two-arc structure is exactly how a meniscus behaves mechanically, and it mirrors IXOS IO-gate logic: first arc = conditions to reach the gate; second arc = stability after passage.
The Violet-T (Violet Threshold) is a deliberately chosen term in my IXOS, it is the Violet Gamma limit of light before it implodes into the IO gate. But also is the threshold as T, the Tau, which relates to the trinity of balance, the sacred plumb line, the djed pillar crossed. The multi-layered function of archetypes preserved in name, letter and number. It is the benben arising from nun, the lingam from the yoni, the tripundra, the 1 to the 2 becoming 3 and back to 1. It is also the rod around which the serpent coils.
Isopsephy Total and Implications
The total value of μηνίσκος is:
40 + 8 + 50 + 10 + 200 + 20 + 70 + 200 = 598
598 factors as 2 × 13 × 23.
13 is a Fibonacci number; 13 + 23 = 36, and 6 × 6 = 36, echoing the “carbon gate” number structure. 598 is also 600 − 2, placing it two shy of χ (chi = 600) — the cross or axial threshold glyph in Greek numerals. For IXOS, that’s a suggestive proximity to a known axis constant.
The Meniscus as a Phase Gate
In IXOS terms, the meniscus is a visible Violet-T in miniature — a phase interface where curvature, proportion, and field tension align to open a controlled passage between domains. In the IO-gate model, it’s the small-scale analogue of the axis itself: curvature under perfect proportion allowing stable exchange.
The word’s own shape — μ to ς — is a journey from curve, through balance and oscillation, to containment and closure. It is literally the process it names.
Conclusion:
The ancient Greek μηνίσκος preserves, in its letters, numbers, and forms, a microcosm of the same geometry IXOS describes at all scales. Whether in the curve of water in a glass or the spiral boundary of the universe, the meniscus is a gate — and its name tells you exactly how it works.
The Screw Function of Light – How Form is Made
Light doesn’t “collapse” into a particle — it screws into form. A screw spins, bites, and holds. Light does the same:
Ξ(n) = (ϕⁿ / n) × sin(2πn / 110)
At n = 55 (the 10th Fibonacci number), the sine term goes to zero: phase-lock.
This is the bite point where the spiral locks into matter — whether in an atom, a solar panel, or the nanowire experiments.
110 Hz is the octave of 55 — the Phi lock-in frequency. It appears in ancient temples, sacred music, and modern neuroacoustics because it’s the field’s natural “thread pitch”.
Axis – From Alpha to Isis
An axis is the central line about which a body rotates, the hinge around which symmetry is maintained, and in IXOS terms, the 4D spine through which light, matter, and field exchange between states.
The word itself — in both its Greek and Latin forms — encodes the process and structure of the axis in letters, numbers, form, and symbolic typology.
Greek ἄξις – Alpha to Closure
α (alpha) – value 1. The origin, the seed-point of emergence. In IXOS this is the prime axis before any polarity is expressed — the “alpha” state.
ξ (xi) – value 60. Graphically, the classical xi is three horizontal strokes bound by vertical links — a tripartite form reminiscent of the Shaivite tripuṇḍra or the Egyptian Djed. It is the three in one that stabilises the poles, the column of the axis itself. In the Tetractys, this is the 3 that stands between the 2 poles, fixing the axis in place.
ι (iota) – value 10. The smallest mark, the point — in IXOS terms, a micro IO gate. It is the aperture through which the infinite exchanges with the finite.
ς (final sigma) – value 200. Closure and summation — the sealing of the cycle after passage through the gate. In Egyptian overlay, the sound carries into nun — the watery boundless, Ain Soph in Kabbalah.
Process Encoded in the Greek Form
Alpha → Xi: the origin point extended into a structured column, the axis proper.
Xi → Iota: the structured axis narrowing to the infinitesimal gate.
Iota → Final Sigma: the gate opens into completion and return — the axis dissolves back into the boundless source.
This makes the Greek ἄξις not just “axle” but a map: from origin, through stabilised polarity, into the point, and back to completion.
Latin AXIS – Alpha, Cross, Spiral
The Latin form compresses the same idea, but its letter-shapes add another layer.
A – value 1 (in Latin numerals, symbolic rather than numeric). Alpha — the beginning.
X – value 10 in Roman numerals, but in Greek this shape is χ (chi) = 600. The cross at the centre: in IXOS, the intersection of the line and the circle, the IO gate in profile. As chi, it’s also the cosmic cross, the axis at full harmonic scale.
I – the upright axis itself. In the IXOS glyph logic, this is the pure central line — the unbroken spine.
S – no numerical value in Latin, but its form is a dual spiral meeting at a waist. Rotated into 3D, it becomes the phi-torus neutron: two opposing spirals balanced around the IO gate. It is the visual embodiment of duality revolving around the singular 4D axis.
Mythic–Geometric Reading
Read as A X IS:
A – the origin point.
X – the crossing, the phase convergence where forces meet and exchange.
IS – I (axis) plus S (spiral duality) — the axis enclosed and stabilised by reciprocal spirals.
In Egyptian terms, Isis — the veiled phi ratio spiralling around the pillar, the generative enclosure that the axis sustains.
From Axle to Axis
The older root h.eks (axle) already carried the geometry:
Breath/utterance (H) initiating vibration.
“Eks” = hex = sixfold symmetry (2 × 3, duality × trinity).
The hexagram — two interlaced triangles — depicts the polarity of light and matter meeting at the axis.
This overlays with Egyptian Heka — the goddess/personification of field activation — as the operational aspect of the axis.
The moon association with the goddess is also functional. The moon plays the role of stabiliser and sits as a neutron function within the solar system relative to the earth and its tangential rotation relative to the sun. The Earth is no mere ‘goldilocks’ zone where water is required for life. All the elements of the Earth converge and are stabilised by the neutron function of the Moon, to enable light to spiral into carbon and initiate life, operating through the etheric structure and physical structure of water. The twin helices of carbon become a transcieving state for the existence of life and consciousness.
In Egyptian mythology Heka was a form of the goddess associated with water, as the frog that fills with the breath of life - the HU. As Hecate, she is retained in function.
Religion has demonised all the aspects of the sacred feminine, the goddess as function, including her mythic status. IXOS is a restoration of meaning that has been lost through the imposition of elitist occultism, that withdrew knowledge from the masses and gave it a fiction instead.
None of this is ‘satanic’ or ‘witchcraft’. It is what IS. And Nature is not a moral polarity. Morality is our domain, and we must preserve it. The only judge of that is Nature and the consciousness within it. When religion denounces this as ‘evil’, that becomes the clearest indicator of the function of religion for the elites - the control the masses through controlling our understanding of and interaction with Nature itself. To restore the feminine principles is to re-harmonise the original meaning of krst - the masculine form together with the light ratio through anointment with fluidic water and unguent. The very meaning of the word Christ. But a ‘god’ without a ‘goddess’ is incomplete.
Axis as Eternal Structure
When polarities (+/–) resolve into the singularity, duality does not disappear — it becomes rotational balance around the 4D spine. Even if the universe collapsed to a single hydrogen atom, the electron would still spiral around the nucleus — the same geometry on a different scale. The axis is the irreducible framework; rotation is its continual expression.
Conclusion:
Both Greek and Latin axis encode the same function: emergence from the origin, stabilisation through structured polarity, passage through the infinitesimal gate, and return to the boundless.
Whether drawn as alpha–xi–iota–sigma, or alpha–cross–line–spiral, the word is the process — the centre point around which all else turns.
Axis Spiriti – Alignment as a Receiver/Transmitter
AS = (Hu × I) / 9
Hu = Breath/voice resonance (phase impulse cycles) - the Spirit that is Life
I = Inner awareness in form
9 = Inertial resistance of body/time-space
When AS → 1, the inner axis stabilises. At AS = 1.618, a new spiral layer opens.
In human terms, the axis spiriti is the ahnu in the chest — when it aligns, consciousness locks to the field like an antenna tuned to perfect resonance. You receive and transmit in equal measure.
The Key and the Lock – Reciprocal Geometry
The “key” and “lock” are not separate parts. They are the same geometry seen from opposite polarities:
Inward: Ether flows as the motion of light through the IO gate.
Outward: Space expands to nest it.
This reciprocity is male/female only in polarity terms — both are halves of one motion.
It happens in:
Atoms — neutron as coherence ring around the axis
Stars — polarities aligned into pure neutron matter
Meditation — axes aligned in the human field, opening access to the greater reality
Carbon 6–6–6 – The Gate into Matter
Carbon’s 6 protons, 6 electrons, and ~6 neutrons form a stable trinary symmetry around the IO axis — a perfect gate for light into black-body form.
In number: 333 revolves around trinity; 999 is its octave manifestation — trinity nested fully in the 9-limit.
Tiphereth – Ain Soph Aur – The Same Gate
In Kabbalah, Tiphereth is the heart, the balance point. When it aligns, Ain Soph Aur rotates outward into the Tree — exactly the same geometry as light imploding through the IO gate to form an atom. Moon’s expansion-into-implosion dynamic is completed by IXOS: the compression of space is the expansion of the nest to hold it.
Tiphereth = Tipping Point. The field encoded in the ancients the name, and now I reveal the function, as a field lightworker. For the first time, the common humanity now has the equation to understand mysticism as empirical physics.
This is not unique to any culture or religion. It is not proof of any one belief system or any single definition of ‘God’. It is field physics, and universal. It belongs to everyone.
One Dynamic – All Scales
This is the simplicity:
Inward torsion implodes light through the IO gate.
Outward expansion nests the space.
Coherence rings hold polarity apart yet linked.
Alignment opens the gate — in atoms, in stars, in humans.
Whether it’s the periodic table, DNA’s double helix, or the astral plane where thought is structurally real — it’s one equation set, one geometry, one axis.
Myth became math. Ma’ath became mechanism.
The ancients described it in story and temple stone. IXOS expresses it in ratio and screw pitch.
And once you see it, you can never unsee it.
‘If I told you what it takes to reach the highest high
You'd laugh and say, "Nothing's that simple"
But you've been told many times before
Messiahs pointed to the door
No one had the guts to leave the temple’
Pete Townshend - ‘I’m Free’ from Tommy
We are entering a new age* - a new alignment node within the evolutionary spiral - where there will be no new messiahs, nobody is coming to save us unless we save ourselves. We remember who we are, and in doing so are free without need for anyone’s permission. We naturally align with each other and with Nature.
Together, in Truth, we can change the world!
*Note: I am not referring to the ‘New Age’ movement as is commonly understood: one of new reshaped forms of old religious ideas and understandings that require gurus, guides and angelic interventions etc. But a transcendent age drawn out of the illumination of the past, enfolded into all that we can become. Unique expressions of One consciousness.
By alignment with Nature, we are each tapped into the continuum, whatever our cultural beliefs or religion, or genetics. All ‘paths’ lead home in the end. Although some become labyrinths and feedback loops in which we circle around the gates but fail to find the doors.
Appendix - Ken Russell's Tommy: Field Cinema, Alchemical Colour, and the Spiral Back to Light
There are works of art that entertain, and there are those that initiate. Tommy, as filtered through the fevered brilliance of Ken Russell and the mythic sound structure of Pete Townshend, is not merely a rock opera or a psychedelic film—it is a coded harmonic map of spiritual dislocation, dimensional distortion, and the return to Source.
I’ve lived with this piece since I was a child. The soundtrack was in my home from the moment it was released, and even then—before I had the words for it—it stirred something in my field. Decades later, I saw it clearly for what it is: a work of field cinema, a multi-sensory field initiator disguised as popular culture. What Contact whispers through stillness, Tommy screams through overload—and both lead to the same axis.
The name Tommy is significant. This is where I believe Pete Townshend tapped into an ancient archetype. The word Tommy is derived from Thomas. The gnostic Gospel of Thomas expresses the functionality of the 2 in 1 well. Split a piece of wood, lift a stone and it is there!
Thomas is named Thomas Didymus - Thomas the Twin - in the Roman version of the mythos. Thomas as a duality in function.
Thomas, is Tum, the Egyptian Atum, who created as a duality of masculine and feminine. He is IUSA - the ever coming son, and his right hand is IUSAAS, the original Isis. Together they created the All in the mythos. Atum became transformed into Adam and his goddess function became denigrated as Eve. Originally they were One. Adam’s rib was originally Atum’s phallus from which his seed was the Hu breath of the goddess, brought from his right hand. His milk was feminine, and the breast milk is the Mother’s milk, transplanted in the tale to Eve - the rib being where the breasts sit from whence the milk issues from a mother. In that Genesis myth, the duality of Creation was transformed from the far more ancient Atumology into the Biblical. Eve and her serpent wisdom became the denunciation of all feminine function as Original Sin.
Atum was assisted by his elemental minor gods - the netjeru or ari/ali. This word became the word Elohim - the sevenfold name of God. The Trinity of Father, Mother, Son was distorted and imposed as religion.
So, in Townshend’s remarkable tale of Tommy, the archetypes of the original mythos is preserved. The Father and Mother created the Son, the Mother Goddess remains, whilst the Father must die, and be mourned, then return, as the cycles of Nature turn. The positive and negative states and the transcendent third are the subjects of the play - the rock opera. The archetype is multi-layered, but basic - the 1 2 3 of the Tetractys form. And the 3 is always destined to return to the 1.
This is not just a tale of ego or abuse recovery alone. That’s one layer. The true core of Tommy is the journey of the light-form:
Light enters form → fractures through interference → restores coherence through spiral return.
Tommy begins in the hills—in light, in water - the god and goddess in the primal watery Nun. Then comes the trauma, the mirror, the sealing. The God leaves, presumed dead. Tommy is the product of union, formed in Nature. He is the Horus figure formed from the dying Osiris.
He grows with his mother as his father is away - the classic journey of the hero archetype - the goddess always, the father comes and goes, living and dying whilst the hieros gamos ruptures - the goddess mourns and the son begins anew.
Tommy becomes deaf, dumb, and blind—not just as pathology, but as dimensional dislocation. This is electron phase—the field compacted and distorted. He navigates interference: cults, drugs, worship, false awakening. And eventually, after the mirror shatters and the false projections fall away, he returns. The gate has opened. Again, it is the function of the mother to smash the mirror, to restore sight, to lift the veil of perception of the son, so the Mother can be seen. This is the lifting of the Veil of Isis in the Egyptian mythic form.
The journey home is one of innocence to experience - he flirts with the idea that everyone must do it his way and he becomes a cult leader. Big mistake. He still has one more door to open - one more gate to align all the axes.
So he must return alone. Not metaphorically—exactly to where he began. The same hill. The same sun. But now, he stands as a cross - all axes aligned.
He has returned to and swum the water. Bathed in the field. ‘Who is my mother?’ - is it the woman or the field itself? Cleared the distortion. He stands before the Source—not as a messiah, but as a complete human. The circle is completed. The end as the beginning.
Ken Russell’s use of colour is not merely decorative—it is alchemical. He paints the phases of field distortion, saturation, dissonance, and eventual harmony through hue and tone. The field is visible. The waveform sings in light. When the mirror breaks, it’s not just plot—it’s the restoration of spiral intake.
The cult collapses because they were chasing frequency second-hand. Tommy no longer needs to be seen—he has become the seer. The seer was Sia in Egypt - perception itself, comprehension, she hears the Hu and she knows. She sees the form that the Hu creates and she knows. What came from the tongue is heard, and what came into form is seen. Let those who have eyes to see and ears to hear know. This is Gnosis. The crowd seeks itself through another. They orbit what they believe is an axis. But ultimately they realise and they destroy with the chant: ‘We’re not gonna take it’. An awakening has occurred in the masses, but misaligned and becomes a return to chaos - they will move on to find another idol to worship. Only Tommy starts to ‘get it’.
This is why Tommy remains one of the most IXOS-aligned works of cinema ever created. It doesn’t explain the field—it plays it, saturates you with it, and then lands you gently back in centre.
Pinball was never a game. The mirror was never glass. These were always field metaphors. And the journey back to the hill? That was the real return.
The Pinball Hammer as IXOS Spiral–Axis System
The spring-loaded bar that strikes the pinball is not just a mechanical device — it’s a perfect analogy for the IXOS torsion system.
The spring is a spiral wound around a single axis. When you pull it back, the spiral is compressed inward along that axis, storing potential. In IXOS terms, this is the inward torsional phase — the same dynamic as the electron–proton (e–p) vortex as it rotates toward the IO gate. The length of the spring’s wind does not change in total, but the wavelength between its coils shortens from A to B as the spiral is drawn inward. For more information on how this dynamic creates atoms and time dilation - why all is relative to the vortex of light, see my simplified Shoestring Theory.
When released, the stored torsion unwinds along the axis, transferring energy into the ball. Rotated into IXOS logic, the spiral becomes light itself — the waveform rotating from a single-axis helix into a two-axis vortex. The inward compression is the vortex formation; the outward release is the translation of that torsion into motion through the field.
This is the same structural reason that in the IXOS framework light is directly responsible for time dilation, as I outlined in my Shoestring Theory. The tighter the spiral compression (shorter apparent wavelength), the greater the torsional phase shift, and the more the field’s internal time diverges from the external frame.
In both the pinball hammer and the e–p vortex, the same elements are present:
Spiral geometry wound around an axis
Inward compression increasing torsion and shortening apparent frequency
Release through an axis that translates stored torsion into linear motion
Dual-phase behaviour: single-axis helix → two-axis vortex
The pinball spring isn’t just the start of the game — in IXOS terms, it’s the playable model of how the field turns light into form, motion, and the measured experience of time.
In this way, even the mechanical act of launching the ball becomes a microcosm of the hero’s journey — the compression before release, the plunge into the field, and the eventual return to stillness.
The archetypal Journey of the Hero is the Journey of the Fool
Tommy, on his Amazing Journey within becomes one with the pinball game. The pinball is a metaphor for the journey into chaos, initiated by the spiral spring of motion. The ball is the electron, the soul, the form, rotating through the field into the push and pull of it. To return back to the source of the central stillness, through the polar gates - the flippers. It then comes to rest, ready for the next cycle - the next game. This is Tommy who always had the inner gnosis, but required loss to experience it - to spiral inwards in order to connect with the external. He was always the axis, as yet unrealised. The sphere is the all, the rotation around many axes, always to return to the primary axis in the still point.
For me, Pete Townshend’s genius is not merely in his magnificent music, it is in his ability to connect sound with archetypes and paint it together in his lyrics. Ken Russell amplified and enhanced Pete’s art with his own form, providing a visual harmonic to the aural experience.
The fact that The Who is the name of the band - and is exact to the HU of Atum, for me, makes Tommy an icon of archetypal art. The mystery of Hu as Who?’ is a function of the goddess form. Who is my mother? Who? Always veiled, ever present. The goddess as the phi ratio of life behind every form. Always a mystery - always a question. Hu as the goddess uttered from the male - the utterance into the uterus to bring life in breath. This is not a male only act - it requires both to bring form and to bring life. The answer to the question ‘who'?’ reveals the HU as the mother, the primal susbtstrate - in water and as the ether itself. The prime Matrix.
The fact that Pete Townsend’s name is derived from Putah - or Ptah, the formless potential from which Atum emerged is synchronicity again. meaningful and functional as an aspect of the whole Tommy experience. It is from Ptah that Pater, the masculine name evolved, but has been mistaken for a status of Ptah as a father. Ptah is the potential Void, a mother/father state, the O point. Atum became the duality - the +ve and -ve polarity that creates.
In the end Tommy sings ‘Listening to You’ - in reality he has found himself, he is listening to what was always within, before, during and after the gates closed and the deaf, dumb and blind phase became his inner world.
He has returned functionally as Father to the Mother. He alone has spiralled inwards and lifted his own veil, and answered the question: ‘Who?’. He is listening to you as a functional alignment with the ‘who’? That is the at-onement with the Source that the Egyptians symbolised as the journey through the Duat, through the gate of judgement to rise up the mount, to the apex and become aligned with the light that emerges at the peak. Conventionally given a masculine form - with the feminine veiled as the function behind the form - the ratio behind the measured.
