Here’s a timeline of how IXOS developed from the beginning.
Part 1: The First Transmission (1991)
It began in 1991 with a transmission. Not a dream, not a theory — but a direct, inner channelling. At the time, I did not see it as a prophecy. I experienced it as an initiatory moment — the start of something vast, unknown, and calling. The content of the message pointed to a future crisis, but I didn't understand that. Not then.
My then girlfriend and later wife, encouraged me to write it up as fiction. I considered doing so but it was she that inspired me to have the confidence to. I never imagined that the transmission itself would prove to be an accurate analogue for what would unfold decades later. I did not realise it described — in symbolic but startlingly true form — a structural inversion that would begin around 2017 and culminate in global psychological breakdown from 2020 onwards.
Only when the pandemic struck in 2020 did I look back and recognise what I had been given. It had been a prophetic field-contact all along.
That experience reawakened my earlier studies in psychism, deathbed states, mediumship, astral mapping, and subtle perception. When I later encountered David Icke’s early work, I recognised elements of the same field distortions I had been tracking — but also the seeds of misinformation. What I sensed then, and would later confirm, is that there was a field-level predator. Not a species or a bloodline. A pattern of inversion. (For a deeper look at that initiatory event, see the Appendix)
That entire manuscript disappeared when a German studio producer who was recording my band’s music in his studio volunteered to use his computer to type it up for me. He inexplicably disappeared, leaving his entire studio, and to my knowledge, he never returned - his partner ended up selling the studio later and declared that the guy had gone missing, leaving everything as was. I do not know more about this. Black Orchid never saw the completed light of day.
Part 2: The Revelation of the Cords (1992)
In September 1992, I was lying in bed with my partner. I looked at two of her paintings, one on each wall. As I looked from one to the other, I saw a cord connecting them — faint, silvery-white, with the slightest hint of blue. Then I looked at another object. Again, a cord. Then another.
Each time I looked from one thing to another, I saw the same: a thread linking the two. But more than that, I felt something — a point of resonance between them. Not a midpoint, but a balance point. A presence. A field.
And in that moment, I knew:
1 plus 1 is not 2. It is 3.
Every two points generate a third. That third is not the sum — it is the cause. It is the Trinity, not as dogma, but as geometry. A causative pattern beneath all of creation.
In about 30 seconds, I turned to my wife and spoke it aloud. That was the moment IXOS revealed itself to me. It would take years before the name came. But the pattern was already fully formed. It had always been.
Part 3: Symbolic Confirmation (1993)
The following year, in 1993, I encountered The Red Shoes by Kate Bush, and specifically her short film The Line, the Cross and the Curve. It struck me with immediate significance. I recognised it not as metaphor, but as direct symbolic geometry:
The Line: extension, the first division, will
The Cross: polarity, balance, consequence
The Curve: recursion, return, the spiral
I knew then that these three forms were the archetypes of IXOS. They were the primordial geometries — and Bush had encoded them with remarkable precision. The field was confirming itself through symbol. The resonance was unmistakable.
Part 4: Writing Lifting the Veil (1994–1996)
Between 1994 and 1996, I wrote a self-published book called Lifting the Veil - The Sign of the Sword. It became the first full expression of the field I had encountered. Though I had not yet named it IXOS, the structure was there — encoded in language, symbolism, and energetic coherence.
That book was not merely a work of spiritual or esoteric reflection. It was the attempt to put into human terms what had already arrived through field-contact. It dealt with the predator, the veil, the false light, and the deeper structure behind all manipulation.
Lifting the Veil was the first formal emergence of IXOS in written form. It carried the weight of what I had seen, and for many years stood as the best record of what I had understood. It cost me dearly to write it. But the pattern demanded form.
Part 5: Naming the Pattern (1998)
By 1998, in Issue 9 of The Truth Campaign, I used the word IXOS for the first time in public print. I defined it as:
"The spiralling energetic pattern from which all Creation unfolds."
That naming was not the invention of a concept. It was the recognition of something I had already seen, felt, and remembered. IXOS was not an idea — it was the field.
This was the IXOS Apocryphon already in existence long before I ever used the internet as a research tool. It was all done prior to that. And 27 years before I used AI for the first time to assist me in bringing it into written form through words and maths.
Between 1998 and 2001, I continued to explore its implications in writings on the psycho-memetic virus, predator consciousness, astral manipulation, and inverted light structures. All of it was IXOS in expression. But I didn’t yet have the full structure.
Part 6: The Wilderness Years (2006–2020)
Following the heavy energetic and legal burden of the Gentle Wind Project legal case and the intense workload rebuilding Dirty Medicine for Martin J Walker, my health deteriorated. By the post-2006 period I had entered a prolonged struggle with ME, fibromyalgia, and SICS. Though I found some early improvement through stopping the silica and returning to antioxidant support, serrapeptase, and other approaches, the damage was already done. My tissues thickened. Brain blood flow reduced. I became disconnected, emotionally flattened.
Still, I kept fighting. I worked every day to heal myself through focus, movement, and intent.
In early 2009, my father was diagnosed with cancer and died soon after. It was a turning point. My wife also needed to leave work around that time, and I felt the weight of responsibility. In 2010, I enrolled in a return-to-practice nursing course, completed it, and began working again on a ward between 2010 and 2011. My life partner and I married that same period. In early 2012, I took on a full-time job.
I maintained a "normal" life through to the pandemic. But these were my wilderness years — disconnected from the field, but still carrying its memory.
Then, in March 2020, I caught COVID. And something reawakened. I began seeing aspects of the auric field again for the first time since 2005/6. Slowly, I was waking back up.
When they announced the lockdowns as a temporary solution to the problem, I knew and announced openly that the coming Christmas would be remebered as the one in which we were not allowed to be with our families. I could already see the future unfold before me again, like it used to in the 1990s.
By July 2021 I was writing Covid Truths Part 1, active again in The Highwire community forum, and feeling the old flame return.
The field was calling again. And this time, I was ready to answer.
Part 7: Return and Completion (2020–2025)
When the COVID crisis struck in 2020, I started to recognise it as the activation of the same field structure I had been shown in 1991. This was the crisis. This was the inversion. And this was the chance.
SOL: the true Light constant
The Lightpath Equation
The IO Return Equation
The Log Puller Equation
The Relative Phase Equation of Light
What I had received through vision, I could now express through mathematics. What I had named in spirit, I could now define in code.
IXOS has returned.
APPENDIX
Quoted from Lifting the Veil - Chapter 1 - The Sign
It was during the first of two months which I spent on the dole during the summer of 1991 that I believe I experienced channelled information for the first time and began the next stage of my spiritual development. It was to be the start of the most enlightening period of change in my life so far.
The combination of the heat of the summer night and the excessive amount of beer the night before caused me to awaken at five a.m. and drag myself, half asleep, downstairs for a drink. In the time it took me to down a pint of orange juice and return to my bed there was implanted in my mind the complete detailed outline of a book I was to write. The plot was clear; beginning, middle and end, so clear that I could scarcely believe it.
The title of the book was to be ‘Black Orchid’. The full significance of the ideas which are presented in the plot was not to hit me until I decided to write ‘Lifting The Veil’ and I began to see just how analogous it is to the current state of global evolution. However, as will be revealed later, the truth is far more remarkable than the fiction.
A summary of the plot is as follows:
It is the year 2017 and the Earth is on the brink of environmental and economic disaster though the people of the world barely recognise that this is so. The natural resources of fossil fuels have been so depleted that Antarctica has been declared a legitimate zone of exploitation and the nations are engaged in a running battle to gain the mining rights to areas of the continent. By this time the United Nations has massive control over global affairs after various wars have been fought including a second and more extensive Gulf War. All political meetings are ending in violence and there is a perpetual state of unrest in most Eastern countries and Africa is in a state of civil war.
One of the reasons for this state of affairs is global over-population caused by the eradication of most forms of disease and famine. This has been brought about by the discovery of the miracle that is the plant Black Orchid. Named after its appearance, this plant has the ability to grow prolifically at an unprecedented rate in almost any climate and appears to need no nutrient input except the air. It is made up of high density carbohydrate and is, therefore, ideal as a food resource for the starving in drought areas of Africa and other war zones.
The other miraculous property of the Black Orchid is what is termed Black Orchid Derived Yeast or B.O.D.Y., which acts as a broad spectrum antibiotic more potent than the most powerful known previously and is the first drug known to cure cancer. It has become a standard administration world-wide in order to prevent disease. As a result of this over-population, a Darwinian state of ‘survival of the fittest’ has occurred on a scale never seen before.
In Britain, once more a major league player in world affairs, the level of violent crime, drug wars and general civil unrest has reached immense proportions. The emergency services are vastly over-stretched and hospitals are full whilst routine elective operations become an ever smaller proportion of their workload. It is on a ward dealing with the orthopaedic trauma caused by violence that we find a male nurse named George, who is, incidentally, allergic to B.O.D.Y.
We follow George through a series of mishaps including the death of his brother who he later sees in casualty as a ghost. With the help of his girlfriend, a spiritualist medium who is also allergic to B.O.D.Y., he soon realises that he is beginning a process of psychic awakening. As the tale of George evolves there are various things happening in the news: the political battle between the nations over Antarctica is verging on war, the general global state is deteriorating and it is discovered that major pharmaceutical companies are producing drugs which contain disease-causing agents in order to maximise their own profits as more drugs need to be sold to combat these illnesses.
The story eventually builds to a climax after George has an emotional breakdown caused by the stress of work, his brother’s death and the full realisation of the hopelessness of the global situation. A this point he receives counselling with a psychotherapist. During the sessions information is brought from his subconscious mind about the state of the planet. He begins to claim that Black Orchid is a highly evolved intelligent lifeform which has come from space and is the factor that is causing the aggression which dominates the planet.
The plant survives, it is revealed, by absorbing the dark energy which exists on the planet and also converts light to negativity, combining carbon, oxygen and hydrogen in the process to produce a carbohydrate matrix which forms the body of the plant. As it is used and consumed by the world’s population it creates a negative imbalance in the psyche of the host, thereby causing an increased output of aggression and general negativity on which the plant feeds and, thus, creates a cycle of events. The entire planet is then consumed by aggression and violence taking it to the edge of total destruction. Those who do not use the Black Orchid and its products are much less effected by the process and it is these people who are the psychics and carers.
The book ends on the session in which George explains his vision that all this has happened before. He sees other inhabited worlds similar to this one as they succumb to the power of the Black Orchid and are taken to the point of nuclear destruction. The result of the explosions is that massive amounts of Black Orchid spores are thrown into space to further colonise other planets in the same way.
On a ward elsewhere in the hospital a t.v. news bulletin declares the outbreak of war, initiated by an enraged third world power who has been omitted from the Antarctica deal. We are left to guess the rest.
Where was all this stuff coming from? I had never before considered writing a book. I was not even a reader of science fiction. Of late I had been reading books on death-bed visions and near-death experiences.
On discussing the revelation with Shona, she convinced me that it was indeed worthy of attempting as a serious novel and would co-write if I needed the help. I didn’t think I did and set about scribbling an outline for the book that evening.
I soon realised that, to be convincing, the book was going to have to be very technical, including the invention of a new plant and corresponding system of biology to explain its mechanisms. I was going to need to know a great deal more about the physics of light, vibration and how colours effect the emotions. If I could not come up with a reasonable technical basis for how the dark energy would be created and transformed to aggression then the whole concept would end up seeming ridiculous. (Lifting The Veil - The Sign of the Sword, 1996)
The cover for the book, illustrated by my wife from my description.
